THE 2024 revival of Pretty Woman: The Musical, inspired by the beloved 1990 film, delivers a dazzling theatrical experience that revitalises the classic romantic tale for today's audiences. 

This production at the Mayflower excels with its charismatic leads, sumptuous set design, and a score that brims with infectious energy, which captivates from start to finish.

Rebekah Bryant, takes on the iconic role of Vivian Ward, after being called upon due to Amber Davis being unwell. She shines with a performance that is both heartfelt and refreshingly original.

Her vivacious charm and powerful vocals make her a standout, capturing Vivian's spirit while infusing the character with her unique flair. Opposite her, Oliver Savile as Edward Lewis brings depth and nuance as the wealthy businessman. Their chemistry is palpable, making their journey from a transactional relationship to genuine connection deeply engaging and believable. They performed superbly as a stage partnership and clearly relished their roles.

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Pretty Woman: The Musical (Image: Marc Brenner)

The musical numbers, composed by Bryan Adams and Jim Vallance, range from soaring ballads to upbeat anthems, each expertly choreographed and performed with zest by a talented ensemble. Memorable songs like Anywhere But Here and You’re Beautiful blend well into the story, enhancing the emotional journeys of the characters. Bryan Adams clearly called on his rock roots with some of the numbers, and the voice of Natalie Paris was absolutely perfect for these, she was outstanding.

Visually, the production is a feast for the eyes. The costume design and quick changes do a great job of capturing the essence of late 1980s and early 1990s fashion. David Rockwell’s set design cleverly transitions between the streets of Hollywood and the opulent world of Beverly Hills, using innovative staging techniques to seamlessly bring the story's contrasting environments to life.

The direction and choreography are dynamic, adding an extra layer of vibrancy to the musical numbers. The supporting cast also deserve a mention, with each member contributing to the vibrant and dynamic atmosphere of the show, ensuring that every scene is lively and engaging. There were some wonderful comic moments, mainly from Ore Oduba who switched between numerous roles with obvious delight, and the very talented Noah Harrison who played Giulio the Bell-boy with a wonderful style and charm. 

Overall, the 2024 Pretty Woman: The Musical is a triumphant revival that honours the original film while standing firmly on its own as a compelling and thoroughly enjoyable musical. It’s a must-see for fans of the film and newcomers alike, offering a nostalgic yet fresh take on a story that continues to captivate and enchant. The production’s blend of charm, wit, and heartfelt emotion ensures it will be one of the standouts in this year’s theatrical offerings.

Review by Peter Nicholson